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Long Before #DontSpoilTheEndgame, Alfred Hitchcock’s ‘Psycho’ Pioneered the Anti-Spoiler Campaign

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“Don’t give away the ending. It’s the only one we have.”

Everyone involved with the upcoming Avengers: Endgame is going to great lengths to ensure that spoilers don’t ruin the experience for those who have been waiting 11 years for the movie, with directors the Russo Brothers issuing an official anti-spoiler statement today:

When you see Endgame in the coming weeks,” they write, “please don’t spoil it for others, the same way you wouldn’t want it spoiled for you. Remember, Thanos still demands your silence.”

Marvel has even gone ahead and purchased an emoji for #DontSpoilTheEndgame, ensuring that the message is heard loud and clear. Don’t be a dick. Don’t spoil the movie.

For horror fans, this campaign may seem quite familiar. Way, way back in 1960, long before the internet (social media in particular) even made “spoiler culture” a thing, Alfred Hitchcock did everything in his power to ensure that everyone who saw Psycho was aware that spoiling Psycho was a dick move. How? He baked the anti-spoiler message right into the marketing.

If you can’t keep a secret, please stay away from people after you see Psycho” was one of the film’s unique marketing taglines, as Hitchcock wanted to make sure that each and every person who bought a ticket to the movie was able to experience its twists, turns and shocks for the first time while sitting in the theater. Hitchcock was particularly protective of the Marion Crane twist – star Janet Leigh being knocked off halfway through the film was, to those who didn’t see it coming, a massive shock at the time – and his efforts to ensure the film was properly experienced saw him buying up copies of Robert Bloch’s novel and even forcing theaters to adhere to a strict policy: nobody was allowed inside after the movie had started.

“This is more than a suggestion. It is a requirement,” Hitchcock sternly told theater owners.

A master showman, Alfred Hitchcock revolutionized movie marketing with Psycho, and his efforts of course paid off as the film was a massive hit for Paramount. The gimmicks turned the horror film into event cinema, but more importantly, they saw Hitchcock working overtime to protect the sanctity of the movie-going experience. Fifty nine years later, with movie spoilers running rampant across the internet, Hitchcock’s groundbreaking efforts way back in 1960 can be appreciated today perhaps even moreso than they were all those decades ago.

You can check out vintage video and print advertisements for Psycho below.

Writer in the horror community since 2008. Editor in Chief of Bloody Disgusting. Owns Eli Roth's prop corpse from Piranha 3D. Has two awesome cats. Still plays with toys.

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How to Watch ‘Cam’ Free Online After the Tech Thriller Left Netflix

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Cam streaming

Before updating the video nasty Faces of Death, director Daniel Goldhaber and writer Isa Mazzei explored the dangers of online life in tech-thriller Cam, their feature debut that was acquired by Netflix in 2018 after making waves on the festival circuit.

At the end of last year, the Netflix exclusive quietly departed from the streaming platform, left without another streaming home.

It’s not an isolated story; Mike Flanagan’s Hush also left streaming entirely for a period until it was finally picked up on both physical media and other streaming services.

While the tech-thriller currently isn’t available to watch on Netflix, Tubi, Hulu, or any other platforms, that’s not a problem for Cam thanks to a very cool move by Goldhaber: the director has made his breakout film accessible to watch online for free via his website

As his site notes:CAM is unfortunately not currently available to view on any platforms, so you can watch it here if you like :).

No subscriptions or fees necessary, just hit play. 

Cam follows Alice (Madeline Brewer), who works as an online cam girl obsessed with her ranking on the cam site. The higher her ranking goes, the more it draws unwanted attention, and Alice soon finds herself replaced on her own show with a doppelganger.

Written by Mazzei, a former camgirl, it uses the horror thriller premise to examine the life of a sex worker; Alice’s career ambition is directly at odds with the shame it brings to her family, and how she tries to spare them from it by keeping them in the dark. It only compounds her danger when the doppelganger enters the equation in Goldhaber’s engaging thriller.

For a deep dive into the treacherous world of Cam, listen to Horror Queers’ episode on it now.

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